Stan Laurel and Oliver Hardy, along with comedian Charley Chase, star in this riotous comedy of fraternity and marital mishaps. This film is online courtesy Chicago Film Archives External. Its fluidity, graphics and story-telling was light years beyond other films made during that time. Expanded essay by Raquel Stecher (PDF, 25KB). Suggested by a short story written as a Christmas card by author and historian Philip Van Doren Stern, Capra and writers Frances Goodrich and Albert Hackett crafted the screenplay for this film which has becomesynonymous with Christmas spirit and what some have dubbed "Capra corn." Equal parts innocent fun and savvy sophistication, the artistic and commercial success of the film solidified Disney's knack for big-screen, non-cartoon storytelling and invention. Movie poster. Wyler's direct style of telling a story, masterfully written by Lester Koenig, required no embellishment. ", Before entering films in 1916, Alla Nazimova, who studied with Russian theatrical visionary Constantin Stanislavski, had already earned a reputation as an intensely dedicated, if unorthodox, stage performer. All hope seems lost until the boy's sister, who works as a film editor, uncovers celluloid evidence to free him -- a plot device that anticipates security cameras and eyewitness home videos by decades. Expanded essay by Kaveh Askari (PDF, 445 KB). Hilton's work on the fight scenes would stand as the vanguard of such fare until "Raging Bull" some 34 years later. The film's supervising sound editor, Alan Splet, received a Special Achievement Award for his innovations including affixing microphones around the horse's midsection to pick up the sound of its hoof beats and breathing during race sequences. Expanded essay for "The Godfather" and "Godfather Part II" by Michael Sragow (PDF, 528KB), Bing Crosby won an Academy Award for playing a happy-go-lucky priest assigned to a rundown church heavily in debt. The dazzling imagery was complemented by Leigh Harline's compelling orchestral scoring inspired by a Strauss operetta. Considered by some as the archetypal Sam Fuller film and a nice summary of the main themes in his work, "Pickup on South Street" is a taut, Cold War thriller. This is the plot of "Suspense," co-directed by Lois Weber and Phillips Smalley. Karl Malden is memorable as General Omar Bradley. Harrison Ford stars as Rick Deckard, a retired cop in Los Angeles circa 2019. He makes bizarre, unsuccessful attempts to woo elementary schoolteacher Olivia Williams and has a chaotic, up-and-down relationship with wealthy businessman-mentor Bill Murray. It also provides a sympathetic yet clear-eyed portrait of a community assaulted by poverty and lack of opportunity, yet it manages to remain hopeful. John Ford, Henry Hathaway, and George Marshall directed the individual episodes of this sprawling epic which was originally released in Cinerama. But the joke''s on the townsfolk when Fairbanks thwarts real criminals and saves the day. Undaunted, viewers voted overwhelmingly to keep the film running, and it became one of the fair's most popular attractions. The story of two warring couples and their alcohol-soaked evening of anger and exposed resentments stunned audiences with its frank, code-busting language and depictions of middle-class malaise-cum-rage. This taming of the Oregon Trail saga comes alive thanks to the majestic sweep afforded by the experimental Grandeur wide-screen process developed by the Fox Film Corporation. Bob Kane and Bill Finger's dark, enduring creation first flew onto the screen in a 1943 B-movie serial and would return to theaters several times in treatments both camp and action-oriented. Expanded essay by Michael Sragow (PDF, 473KB), A visually stunning portrayal of a man facing fatherhood in a nightmarish industrial world, this film introduced American audiences to David Lynch's unique, surrealistic style of sparse dialogue, unsettling characters, horrific imagery and a paradoxically abstract narrative. The San Antonio barrio in the early 1970s is the setting for writer, director and star Efraín Gutiérrez's independent piece, considered by historians to be the first Chicano feature film. Directed by Keaton and written by Clyde Bruckman, Jean Havez, and Joseph A. Mitchell, Sherlock, Jr. utilizes Keaton's trademark physicality and dry humor, fast-paced editing, and jump cuts, to create a comedic masterpiece that both acknowledges and embraces the cinematic medium. A deranged preacher (Robert Mitchum) terrorizes two children in possession of stolen loot and eventually coming up against a saintly protector of runaway and abandoned children (Lillian Gish). The filmmakers were W.K.L. Thanhouser, who co-directed with Lawrence Marston, demonstrates a command of visual storytelling that rivals D.W. Griffith's. The film retained the play's music by Leonard Bernstein and lyrics by Stephen Sondheim, and choreography by Jerome Robbins, who co-directed with Robert Wise. Each scene in the film is preceded by a title, and many of the titles overdramatized and sentimentalized on-screen events such as "At mealtimes, when there was food to be had, troubles were banished." Movie still. The plot thickens when the Soviet ambassador (Peter Bull) informs the Americans of the latest Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked. The drama's protagonist is an Italian laborer who attends night school and with his newly acquired English skills obtains a better job. At the heart of the story are two pairs of star-crossed lovers on either side of the conflict: Southerner Henry B. Walthall courts Northerner Lillian Gish, and the couple's siblings, played by Elmer Clifton and Miriam Cooper, are also in love. In the film, DeVito plays a down-on-his-luck photographer determined to capture visual magic and fame. Screenwriter Callie Khouri began her script for "Thelma & Louise" with a single sentence premise: "Two women go on a crime spree." The often-lurid plots in these films may have seemed laughable and unrealistic, but the emotional impact on audiences packed a wallop that led to major box-office bonanzas for Universal. Though Weber's style may appear heavy-handed and stilted by modern standards, she creates a thought-provoking film that forthrightly addresses an assortment of taboo subjects that rankled censors. cache it.n min_guesses = 1n if match.token.length < password.lengthn min_guesses = if match.token.length 1n MIN_SUBMATCH_GUESSES_SINGLE_CHARn elsen MIN_SUBMATCH_GUESSES_MULTI_CHARn estimation_functions =n bruteforce: @bruteforce_guessesn dictionary: @dictionary_guessesn spatial: @spatial_guessesn repeat: @repeat_guessesn sequence: @sequence_guessesn regex: @regex_guessesn date: @date_guessesn guesses = estimation_functions[match.pattern].call this, matchn match.guesses = Math.max guesses, min_guessesn match.guesses_log10 = @log10 match.guessesn match.guessesnn bruteforce_guesses: (match) ->n guesses = Math.pow BRUTEFORCE_CARDINALITY, match.token.lengthn if guesses Number.POSITIVE_INFINITYn guesses = Number.MAX_VALUE;n # small detail: make bruteforce matches at minimum one guess bigger than smallest allowedn # submatch guesses, such that non-bruteforce submatches over the same [i..j] take precedence.n min_guesses = if match.token.length 1n MIN_SUBMATCH_GUESSES_SINGLE_CHAR + 1n elsen MIN_SUBMATCH_GUESSES_MULTI_CHAR + 1n Math.max guesses, min_guessesnn repeat_guesses: (match) ->n match.base_guesses * match.repeat_countnn sequence_guesses: (match) ->n first_chr = match.token.charAt(0)n # lower guesses for obvious starting pointsn if first_chr in ['a', 'A', 'z', 'Z', '0', '1', '9']n base_guesses = 4n elsen if first_chr.match /d/n base_guesses = 10 # digitsn elsen # could give a higher base for uppercase,n # assigning 26 to both upper and lower sequences is more conservative.n base_guesses = 26n if not match.ascendingn # need to try a descending sequence in addition to every ascending sequence ->n # 2x guessesn base_guesses *= 2n base_guesses * match.token.lengthnn MIN_YEAR_SPACE: 20n REFERENCE_YEAR: new Date().getFullYear()nn regex_guesses: (match) ->n char_class_bases =n alpha_lower: 26n alpha_upper: 26n alpha: 52n alphanumeric: 62n digits: 10n symbols: 33n if match.regex_name of char_class_basesn Math.pow(char_class_bases[match.regex_name], match.token.length)n else switch match.regex_namen when 'recent_year'n # conservative estimate of year space: num years from REFERENCE_YEAR.n # if year is close to REFERENCE_YEAR, estimate a year space of MIN_YEAR_SPACE.n year_space = Math.abs parseInt(match.regex_match[0]) - @REFERENCE_YEARn year_space = Math.max year_space, @MIN_YEAR_SPACEn year_spacenn date_guesses: (match) ->n # base guesses: (year distance from REFERENCE_YEAR) * num_days * num_yearsn year_space = Math.max(Math.abs(match.year - @REFERENCE_YEAR), @MIN_YEAR_SPACE)n guesses = year_space * 365n # add factor of 4 for separator selection (one of ~4 choices)n guesses *= 4 if match.separatorn guessesnn KEYBOARD_AVERAGE_DEGREE: calc_average_degree(adjacency_graphs.qwerty)n # slightly different for keypad/mac keypad, but close enoughn KEYPAD_AVERAGE_DEGREE: calc_average_degree(adjacency_graphs.keypad)nn KEYBOARD_STARTING_POSITIONS: (k for k,v of adjacency_graphs.qwerty).lengthn KEYPAD_STARTING_POSITIONS: (k for k,v of adjacency_graphs.keypad).lengthnn spatial_guesses: (match) ->n if match.graph in ['qwerty', 'dvorak']n s = @KEYBOARD_STARTING_POSITIONSn d = @KEYBOARD_AVERAGE_DEGREEn elsen s = @KEYPAD_STARTING_POSITIONSn d = @KEYPAD_AVERAGE_DEGREEn guesses = 0n L = match.token.lengthn t = match.turnsn # estimate the number of possible patterns w/ length L or less with t turns or less.n for i in [2..L]n possible_turns = Math.min(t, i - 1)n for j in [1..possible_turns]n guesses += @nCk(i - 1, j - 1) * s * Math.pow(d, j)n # add extra guesses for shifted keys. Designed to inform --and influence -- the citizenry about government policy, the productions featured mostly amateur native performers and artists. The original nitrate footage that comprises the 1908 "Dixon-Wanamaker Expedition to Crow Agency" was discovered in a Montana antique store in 1982 and subsequently donated to the Human Studies Film Archives, Smithsonian Institution. One of those refugees is Rick's true love who deserted him when the Nazis invaded Paris (Ingrid Bergman) and her Resistance leader husband (Paul Henreid). Among their gambits to find acceptable "risqué" fare, the era had a brief run of "kissing" films. Orson Welles directed, coscripted and costarred in one of cinema's most influential and audacious suspense dramas about a honeymoon couple (Charlton Heston and Janet Leigh) being terrorized by corrupt officials (Welles and Akim Tamiroff) on both sides of the U.S.-Mexican border. The film's music was composed and performed by Cat Stevens. Fuji. However, the film is remembered today chiefly for Mamoulian's audacious style. ': ['lL', '[{', ']}', '=+', '-_', 'sS'], '@': ['1! It has come to epitomize one of Hollywood's best attempts at horror fantasy. The film is important to the history and culture of Chicanos in America, spotlighting the challenges of discrimination. Daniel Manwaring, under the pseudonym Geoffrey Homes, smartly adapted his novel "Build My Gallows High," and the stars Robert Mitchum and Jane Greer breathe life and larceny into his characters. Soon, the thief is being pursued not only by the woman he stole from, but also by Communist spies and U.S. government agents. Produced at low-budget Columbia studio, "Verbena tragica" was unusual for the multi-version formula in that an English-language version was never made, most likely due to the film's themes of adultery and revenge. Banker Tim Robbins is wrongly convicted of the double murder of his wife and her lover. When "This is Spinal Tap" debuted in 1984 it inspired a new film genre: the "mockumentary." Mike Myers, Eddie Murphy and Cameron Diaz lead the strong voice cast. Cunard, in the mode of many women filmmakers of that era, not only starred in the film, but also wrote its script and parlayed her contributions into a directorial role as well. Her father (John Williams) sends Sabrina to Paris to get over David, and when she returns as an elegant and sophisticated woman, David is quickly drawn to her. Native American directors are a rarity in Hollywood. Filmmaker Alan Gorg reflects on the making of "Felicia" and his other productions (PDF, 282KB). Dozens of small but expertly realized moments reflect an astute understanding of human nature. Laughton, in understated valet fashion, worriedly responds: "North America, my lord. William Wyler directed Laurence Olivier in the role of Heathcliff and Merle Oberon as Cathy in this abbreviated adaptation of Emily Brontë's her first and only published novel. Expanded essay by Karan Sheldon (PDF, 466KB), The film, shot in Egypt and Palestine often in Biblical locations, tells the story of Jesus' life in 10 chapters, with scenes staged as tableaus. Renowned experimental film by Ralph Steiner, who later served as cameraman and/or director on documentary classics such as "The City" and "The Plow that Broke the Plains." This insightful 30-minute documentary profiles a young black woman, Suzanne Browning, as she confronts a legacy of physical abuse and its role in her descent into substance abuse. Laid up with a broken leg, photojournalist L.B. The film is based on Jules Verne's "20,000 Leagues Under the Sea" and to a lesser extent, "The Mysterious Island." A smart Western where gunplay is matched by wordplay, "Rio Bravo" is a terrific ensemble piece and director Hawks' last great film. One of the earliest "creepy clown" movies, "He Who Gets Slapped" was the first film produced completely by the MGM studio, though not the first released. The cast includes John Belushi, Tom Hulse, Tim Mattheson, Karen Allen, Kevin Bacon and Donald Sutherland. With the help of screenwriter Ernest Lehman's tight script and snappy dialog and a highly animated score by Bernard Herrmann, director Alfred Hitchcock crafts one of his most stylish and entertaining thrillers. "House of Wax," produced by Warner Bros. and released in April 1953, is considered the first full-length 3-D color film ever produced and released by a major American film studio. Treasured as one of film's most heart-rending stories of parental love, "Bambi" also has come to be recognized for its eloquent message of nature conservation. Writing in the New York Times, critic Janet Maslin lauded this eccentric yet jubilant film. A film whose violence is as much psychological as graphic, "Silence of the Lambs"—winner of Academy Awards for Best Picture, Director, Actor, Actress and Adapted Screenplay—has been celebrated for its superb lead performances, its blending of crime and horror genres, and its taut direction that brought to the screen one of film's greatest villains and some of its most memorable imagery. Considered the first narrative film, "The Great Train Robbery" was directed and photographed by Edwin S. Porter, a former cameraman for the Thomas Edison company. Eastwood's character possesses a touching emotional vulnerability uncharacteristic of Eastwood's much-criticized "macho" image. Expanded essay by the film's director Mimi Pickering (PDF, 793KB). ", Delivery men Laurel and Hardy struggle to push a large crated piano up a seemingly insurmountable flight of stairs. Saul Bass, the graphic designer and filmmaker best known for his posters and credit sequences for such films as "North by Northwest," "Anatomy of a Murder" and "Psycho," wrote and directed this animated Oscar-winning short documentary examining the nature of creativity. Expanded essay by Gary Rhodes (PDF, 854KB), Before the advent of sound, the only significant difference between films seen by domestic audiences and foreign ones was the language of the subtitles, which could be adapted for each market. As the film plunges deeper into an amoral abyss, the congested New York City of its opening frames gives way to a bleak landscape reminiscent of an Edward Hopper painting. Corral" (1957). Directed by Martin Ritt, "Norma Rae" was based on the real-life efforts of Crystal Lee Sutton to unionize the J. P. Stevens Mills in Roanoke Rapids, N.C., which finally agreed to allow union representation one year after the film's release. Adam Davidson's 10-minute Columbia University student film examines the partial erosion of haughty self-confidence when stranded outside one's personal comfort zone. Directed by Wilfred Jackson, the film acted as a testing ground for audience interest in longer form animation as well as for advanced technologies, including the first use of the multiplane camera, which added three-dimensional depth. Expanded essay by Donna Ross (PDF, 1054KB), Two staples of 1960s cinema—evil organizations and the wasteland of suburbia—combine to drive this sinister tale about the perils of seeking a second chance, a life do-over. Based on a novel by Donald Westlake (writing as Richard Stark), this tense, stylish thriller from director John Boorman opens with Walker (Lee Marvin) getting double-crossed by mobster friend John Vernon while conducting a crime on Alcatraz Island. Bolstered by his success with a few early "thrill" shorts and inspired by a popular stunt performer known as "the human fly," Lloyd was eager to make a feature-length film that would give audiences the same excitement. When he goes to the doctor, he learn he's suffering from "iridium" poisoning and has only a few days to live. Expanded essay by Brian Scott Mednick (PDF, 242KB). is even more cynical than the average film noir, and this cynisism helps distinguish if from other films of the genre. With jaded passion and paranoid force of character, Bogart perfectly plays the talented but psychologically unstable artist who will not accept his society, proving it with periodic violent, self-destructive confrontations. "Grease" is still the word. 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