What is, ultimately, frightening about The Sorrow and the Pity, is what it reveals to some, and recalls to others, about the climate of quasi-civil war and Nazi occupation. Written by "A Look at 'The Sorrow and the Pity' of France in World War II". 30 of 31 people found this review helpful. This is a talk documentary and will reinforce the known collaboration (or not) with particular actors in WWII. Part one, "The Collapse," includes an extended interview with Pierre Mendès-France, jailed for anti-Vichy action and later France's Prime Minister. The Sorrow and the Pity sinks itself into the perspectives of occupied France 20+ years after the fact and within the film’s numerous talking heads that tells a collective story it reveals liberté, égalité, fraternité as failure, failure, failure. “The Sorrow and the Pity” leaves you with the peculiar feeling of having spent a good deal of time, over the years, in the small French city of Clermont-Ferrand. Voted for by 5 critics and 1 director. Recommended byRiad Sattouf. In the aftermath of World War II, the French clung vehemently to a belief that they--and their Vichy government--had resisted the Nazi occupation of France. (1969). Text settings. Unavailable in any format for more than 15 years, this new version features complete subtitles for the very first time. Two-part 1969 documentary film by Marcel Ophüls about the collaboration between the Vichy government and Nazi Germany during World War II. The Sorrow and the Pity Marcel Ophüls André Harris Marcel Ophüls (1969) Marcel Ophuls uses interviews as well as clips from French and German newsreels to shed light on the Nazi occupation of France. Marcel Ophüls - 1969 - Chronicle of a French village in the occupation years. The Sorrow and the Pity Marcel Ophüls André Harris Marcel Ophüls (1969) Marcel Ophuls uses interviews as well as clips from French and German newsreels to shed light on the Nazi occupation of … Wikipedia. Find the cheapest option or … The Sorrow and the Pity. Focusing on the town of Clermont-Ferrand, Ophüls tries to understand what it was to live with German soldiers in your town, an optimistic and collaborating government, an exiled general urging you to resist and underground organizations who used terrorism as their only weapon. comment. The Sorrow And The Pity 2. At the heart of part two, "The Choice," is an interview with Christian de la Mazière, one of 7,000 French youth to fight on the eastern front wearing German uniforms. The Sorrow and the Pity refers to one interviewee’s description of the emotions he felt during the occupation. No, it won’t, and no, we can’t. The Sorrow and the Pity alights in the town of Clermont-Ferrand, 20 miles from Vichy and a microcosm, one imagines, of occupied France in general. The Sorrow and the Pity, one of the greatest films about the Nazi occupation of France, was originally commissioned by a government-run TV station. The Sorrow and the Pity is a two-part 1969 documentary film by Marcel Ophuls about the collaboration between the Vichy government and Nazi Germany during World War II. Besides, we were all a little thrilled by Hitler’s show; it was like Cecil B. DeMille.”. From 1940 to 1944, France's Vichy government collaborated with Nazi Germany. This FAQ is empty. 7 letter answer(s) to arousing sorrow and compassion. The Sorrow and the Pity was originally made for French television, except that the authorities refused to show it. Report abuse. "A Look at 'The Sorrow and the Pity' of France in World War II". A documentary on the eccentric residents of Vernon, Florida. (He thinks others resent the fact that he wears his World War II decorations because they’re jealous that they don’t have medals of their own, and he complains that the Resistance fighters didn’t play fair - they disguised themselves as peasants instead of wearing a mark of identification, “some kind of hat or arm-band, you know”). Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. He introduces us to “Colonel” Gaspar and also to Gaspar’s wartime associate who says a little bitchily that Gaspar was a hero, yes, but he was greedy for glory. An in-depth exploration of the various reactions by the French people to the Vichy government's acceptance of Nazi invasion. Verified Purchase. The Sorrow and the Pity sinks itself into the perspectives of occupied France 20+ years after the fact and within the film’s numerous talking heads that tells a collective story it reveals liberté, égalité, fraternité as failure, failure, failure. In this case help would be welcome to explain specific points to viewers unaware issues like the 'occupied' and 'unoccupied' zones, and the discussion of the French Navy's being attacked by the British. Below are possible answers for the crossword clue Arousing sorrow and compassion. Four interviews done in the 1970s with women who survived the Holocaust. About The Sorrow and the Pity From 1940 to 1944, France’s Vichy government collaborated with Nazi Germany. It is a documentary recounting the history of France's defeat in World War II and the following four years in which France was occupied by the Germans and governed by the Nazi-friendly "Vichy France" regime of Marshal Phillipe Petain. is that pity is (countable) something regrettable while sorrow is (countable) (usually in plural) an instance or cause of unhappiness. Ophuls has pointed out in an interview that the establishment tends to remain the establishment, no matter what. They comment on the nature, details and reasons for the collaboration, from anti-Semitism, xenophobia, and fear of Bolsheviks, to simple caution. Los Angeles Times; Petrakis, John (July 14, 2000). In 1975, he won the Pulitzer Prize for distinguished criticism. The Sorrow and the Pity From the moment it was first released at a tiny Left Bank theater in Paris, this epic account of France under the occupation of the Nazi regime during World War II has been acclaimed as one of the most moving and influential films of all time. This was certainly the basis for actions of many of the participants, but they seem reluctant to admit to such deep motivation. 104 Views . Director Marcel Ophuls spent more than two years compiling the 50 hours of footage that was eventually edited into “The Sorrow and the Pity.” He spoke with the little people - some of them so anonymous they seem ashamed of their opinions, if indeed they have any - and with the larger figures such as Pierre Mendes-France, Georges Bidault, Anthony Eden and the German armaments czar Albert Speer.
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